*Japanese*
The University of Sheffield , The University of Sheffield , Coursework , 2012.10
Post-apocalyptic narrative style in Atwood’s Oryx and Crake: Present-tense rendering of consciousness , Masayuki Nakao , On-line Proceedings of the Annual Conference of the Poetics and Linguistic Association (p.1 - 15) , 2019.01 , The Simple Work , English
The Showman’s portrayal of states of mind: Consciousness representation in Thackeray’s Vanity Fair , Masayuki Nakao , On-line Proceedings of the Annual Conference of the Poetics and Linguistic Association (p.1 - 15) , 2018.01 , The Simple Work , English
Representation of a self-deluded mind in the first-person picaresque novel: The case of Thackeray’s Barry Lyndon , Masayuki Nakao , On-line Proceedings of the Annual Conference of the Poetics and Linguistic Association (p.1 - 13) , 2017.01 , The Simple Work , English
Representation of consciousness in first-person autobiographical novels A case study: Dickens’ Great Expectations and Thackeray’s Henry Esmond , Masayuki Nakao , On-line Proceedings of the Annual Conference of the Poetics and Linguistics Association (PALA) (p.1 - 13) , 2016.01 , The Simple Work , English
Updated on 2022/12/13